The Great British Heatwave (and Other Dog Show Catastrophes) at Plympton Castle Green
For the uninitiated, the Plympton Lamb Feast is a cornerstone of the Plympton St Maurice Midsummer Festival. It is an entirely free, delightfully wholesome, family-friendly community gathering staged upon the historic Castle Green, a spot where, in 1224, the Sheriff of Devon thoroughly demolished the original castle because the local lord was being historically difficult. Walking up to it today, it is the sort of quintessentially English village scene that looks so impossibly idyllic you half expect a detective from Midsomer Murders to step out from behind a burger van to investigate a suspicious death by a poisoned scone.
Dog Photography at Radford Park | MJC Photography Plymouth
It is a scene that has become distressingly familiar to the locals: a middle-aged man, increasingly red of face, prostrate in the mud with a camera clutched in his hand, emitting a series of desperate barks and whistles. All of this in the vain hope of arresting the subject’s attention for the fraction of a second required for a "formal" pose.
It is a specialized form of madness, I grant you. But oh, the elation when that frantic, muddy chaos aligns for one fleeting moment and becomes, quite simply, "The Shot."
The Quiet Canine and the Muddy Photographer
The job, as it so often does, required me to become a creature of the night. Or at least, the very early morning. We had to meet before the sensible, day shift dogs were out, because Quinn, for all his Zen, apparently turned into a bit of a lad in the presence of his peers. He lost his mind, you see. It was like hiring a very quiet accountant and finding out he moonlights as a drummer for a heavy metal band.
A Morning Dip with River, the Aquatic Canine
Then, inevitably, it was time for the main event. My own peculiar affliction, you see, dictates that I must, must, peer through the viewfinder. The fancy LCD screen, with all its modern conveniences, might as well be a blank piece of slate for all the use I get out of it. This rather antiquated foible means that, to achieve the desired aquatic masterpiece, I frequently find myself prostrate in the shallows, camera clutched precariously, as a jubilant, water-obsessed Black Lab, propelled by some unseen canine jet engine, hurtles directly towards me. The resulting geyser of spray and general aquatic chaos is, frankly, breathtaking.