Matt Curtin Matt Curtin

The Humbling Power of Working Labradors (And The Cutest Puppy Alive)

However, nothing, and I mean absolutely nothing, could have prepared us for the frankly irresponsible cuteness of Bryn. Still very much a puppy, this pint-sized, bouncing ball of fluff was so ridiculously adorable he made a rainbow look like a tax form. He was sweeter than a candyfloss machine that’s gone rogue in a sugar factory, and within seconds, he’d mugged us all for our hearts.

Now, as a man who owns what I shall charitably call a small dog with no discernible volume control, a creature whose primary mission in life seems to be to test the structural integrity of my eardrums, it was a truly humbling experience. I mean, here I was, used to the crescendo of a canine tantrum over a dropped crumb, and then I met these four working Labradors.

They were magnificent. Sleek, focused, and possessed of a quiet dignity that suggested they'd all made head boy at whatever exclusive academy turns out these sorts of dogs (if Eton had a K9 department, these four would be polishing their prefect badges).

The thing about this line of work is that you never truly know what you're going to get when you point a camera at an animal. It can be a chaotic, tail-chasing palaver. But these dogs? Pros. The moment they delivered a polite, professional sniff of greeting, you just knew it was going to be a walk in the park, a very well-behaved, orderly, and beautifully illuminated park.

However, nothing, and I mean absolutely nothing, could have prepared us for the frankly irresponsible cuteness of Digby.

Still very much a puppy, this pint-sized, bouncing ball of fluff was so ridiculously adorable he made a rainbow look like a tax form. He was sweeter than a candyfloss machine that’s gone rogue in a sugar factory, and within seconds, he’d mugged us all for our hearts.

The whole gang was here to show off their skills, and we quickly established that the idea of constraining these majestic creatures with something as tedious and dull as a lead was frankly an insult to their professional sensibilities. Leads are for dogs who attempt to debate the mailman. These dogs were here to retrieve, to perform, and to put on a show. And by Jupiter, a show they put on.

Young Black Labrador puppy
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Matt Curtin Matt Curtin

Canine Capers & Theatrical Triumphs

Now, Smudge, for all his admirable chill, clearly hadn't perused the entire "Good Boy Model Instructions." The sitting and even lying down parts? Mastered without a single quibble. A true professional in the art of canine indolence. But directing his gaze anywhere near the camera? Oh, that was a bridge too far, a frontier he was clearly unwilling to cross.

Last week, my dear readers, was what one might charitably describe as "a bit much." It involved a dizzying, ear-splitting, and frankly, quite athletic stint with the redoubtable Laura of LS DRAMA WORKSHOPS. Flashbulbs popped and the air thrummed with high-energy singing and dancing – a whole theatrical hurricane, if you will. That particular saga, a tale surely deserving of its own blog post (perhaps even a modestly sized paperback, given the sheer volume of dramatic incident), I shall save for a future, less frazzled moment.

Today, however, was a positively serene affair by comparison. Picture this: a gentle amble, a tranquil scene. My companion for this photographic endeavour was Smudge, my neighbour's dog, a creature of — shall we say — considerable life experience. The dance shoes, the high kicks, the decibel-shattering vocal acrobatics were firmly banished. In their place, a much more leisurely stroll to the local field, followed by a period of dignified repose. A period, I must confess, I find increasingly relatable in my own advancing years.

Now, Smudge, for all his admirable chill, clearly hadn't perused the entire "Good Boy Model Instructions." The sitting and even lying down parts? Mastered without a single quibble. A true professional in the art of canine indolence. But directing his gaze anywhere near the camera? Oh, that was a bridge too far, a frontier he was clearly unwilling to cross.

And so, dear reader, I found myself in a rather undignified tableau: a photographer of a certain vintage, prostrate upon the verdant grass, emitting a cacophony of barks, meows, and various other unseemly noises in a desperate bid to capture the attention of an equally mature canine. Smudge, meanwhile, remained as steadfastly determined not to make eye contact as a seasoned London commuter on the Underground during rush hour. It became, to the immense delight and barely concealed sniggers of numerous passers-by, a battle of wills.

I am pleased to report (if one can be pleased with public self-abasement) that the tide eventually turned in my favour. It may not be direct, soul-piercing eye contact, but it is, at the very least, in the general vicinity of the lens. And for that, I am unequivocally counting it as a win. A small victory, perhaps, in the grand scheme of things, but a victory nonetheless.

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