Matt Curtin Matt Curtin

How to Photograph the National Fireworks Championship: Ultimate Guide & Camera Settings

The salt air of Plymouth Sound carries a palpable hum of anticipation. Thousands line Plymouth Hoe and drape over the cliff edges, waiting for that first jagged flash to tear across the August night sky. When the National Fireworks Championship arrives, it transforms the UK coastline into a dramatic amphitheatre of thunder and light.

For photographers, framing a pyrotechnic spectacle against iconic landmarks like Smeaton’s Tower is a dream project. However, capturing a crisp, colourful masterpiece rather than a blown out smear of white light requires deliberate preparation.

The salt air of Plymouth Sound carries a palpable hum of anticipation. Thousands line Plymouth Hoe and drape over the cliff edges, waiting for that first jagged flash to tear across the August night sky. When the National Fireworks Championship arrives, it transforms the UK coastline into a dramatic amphitheatre of thunder and light.

For photographers, framing a pyrotechnic spectacle against iconic landmarks like Smeaton’s Tower is a dream project. However, capturing a crisp, colourful masterpiece rather than a blown out smear of white light requires deliberate preparation.

Use this step by step fireworks photography guide to master camera settings, essential gear, and pro timing techniques for the big night.

Essential Gear for Fireworks Photography

Before heading down to Plymouth Hoe, Mount Edgcumbe, or Jennycliff, pack these critical tools to keep your shots sharp in challenging low light conditions:

  • Sturdy Camera Tripod: Slow shutter speeds mean handholding is out of the question. A heavy duty tripod anchors your camera against stiff coastal winds.

  • Remote Shutter Release: Triggering your camera via a cable release, wireless remote, or mobile app eliminates the micro-shake caused by pressing the shutter button manually.

  • Wide Angle Lens: A 16–35mm lens allows you to frame the high-altitude explosive blooms alongside ambient foreground elements like Smeaton's Tower or Plymouth Harbor.

Best Camera Settings for Fireworks

How to guide for Photographing fireworks

Auto modes struggle in extreme contrast and darkness. To get full control over your exposure, dial in these manual settings before the show starts:

Setting

Recommended Value

Why It Works

Shooting Mode

Manual (M) or Bulb

Manual gives total exposure control; Bulb lets you hold the shutter open for the duration of a burst.

ISO

100 or 200

Low ISO values minimize image noise, preserve dynamic range, and keep colour trails vibrant.

Aperture

f/8 to f/11

A mid range aperture keeps foreground landmarks and fireworks sharply in focus without soft diffraction.

Shutter Speed

2 to 6 Seconds

Captures the entire trajectory, from the initial rocket launch to the trailing fade, without overexposing.

Focus Mode

Manual (MF)

Switch off autofocus. Lock manual focus to infinity () using a distant light source before dark.

Pro Tip: Turn off Image Stabilization (IS/VR) when your camera is mounted on a tripod. The system can accidentally introduce internal vibration when searching for movement that isn't there.

Pro Timing & Composition Techniques

Once the darkness breaks and the first mortars launch into the night, rely on these field techniques to capture pro-level shots:

  1. Scout Your Vantage Point Early: Arrive at Plymouth Hoe hours before dusk. Position yourself to capture high altitude bursts while framing silhouettes, water reflections, or historic monuments in the lower third of your frame.

  2. Time the Rocket Trails: Don't wait for the explosion to click the shutter. Listen for the launcher thump, watch for the streak of light climbing into the sky, and press your remote shutter just before the shell reaches its apex.

  3. Try the "Black Card" Technique: Set your camera to Bulb mode. Hold a piece of black matte cardboard over the front of your lens between bursts while keeping the shutter open. This stacks multiple firework displays onto a single image frame without overexposing the night sky.

  4. Manage Smoke Accumulation: The best photos happen during the first 10 to 15 minutes of the display. As the show progresses, heavy smoke builds up over Plymouth Sound and catches excess ambient light. Shoot your primary hero shots early in the schedule.

Frequently Asked Questions

Should I shoot fireworks in RAW or JPEG?

Always shoot in RAW format. Fireworks feature extreme highlights and deep shadows; RAW files preserve the dynamic range necessary to highlight rich colour trails and lift dark foreground details during post-processing.

How do I avoid overexposed fireworks?

If the centres of your firework bursts appear plain white with no colour, your aperture is too wide or your shutter speed is too long. Stop down your aperture from f/8 to f/11 or shorten your exposure time.

Fireworks explode behind Smeatons Tower Lighthouse

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